Best Doggone Dog in the West--Direct Link to the Poem
I wanted a separate posting for this poem that just came out in Melancholy Hyperbole. The poem is a tough one for me, reflecting back on the time that I had to make a decision for my mother that she was not going to return to the hospital yet again, that she was done fighting to live.
Remember Old Yeller? I have heard many stories from folks on how tough that movie was as a kid for them when Travis had to shoot Old Yeller because he was rabid. It was a trauma for me. And well, you'll see how it fits together.
Take a look and comment there too.
Also take a look at the e-zine in general, it is becoming one of my favorite poetry journals.
My thoughts on creative writing, poetry, meditation, contemplative photography and other topics.
About Me
- James M Croteau (Jim)
- Jim Croteau lives in Kalamazoo, Michigan with his partner of 31 years, Darryl, and their two Labrador retrievers. He grew up gay and Catholic and white in the southern United States in the 1960’s and 70’s and has spent his adult life in small non-coastal cities, mostly in the Midwest. He loved his mother very much. He began writing poetry in May 2012 at first to cope with life in times of aging and then, well, he sorta caught the poetry bug. He is still working as a professor in Counselor Education and Counseling Psychology at Western Michigan University.
Wednesday, June 24, 2015
Ogunquit's Good for Poetry, Meditation, and . . . Blogging
The ocean makes a great place for meditation too. Two of the pictures are the scenes I looked at while meditating this week. The other picture is of Frosty near the beach.
I have been writing here, and hearing good news on poetry publishing (I only mention the good news, not the rejections which outnumber the acceptances 10 to 1 of course.)
I had two poems published by Chicago Literati----Needlecast is a poem I am really liking right now.
Their link is here: Needlecast, After Mass and Harvey Milk
I also had a love poem anthologized. It is based on Darryl and I, projecting us out about a decade or two. The book looks pretty good. It has three sections on homelessness, aging, and the earth respectively. Mine is in the aging section and it is written with Whitman's Two Boys Together Clinging in mind. It is called Cover Boys and was first published in print only in Assaracus: A Journal of Gay Poetry.
I have read through the aging section in the anthology and was moved by a lot the poems there. The PDF is free, the Kindle version is just 2.99. The paperback copy is 19.99 but all proceeds of sales is being donated to Friends of the Earth.
Friday, January 2, 2015
Check out the journal, Haibun Today, and some reflections on writing haibun
Check on the journal "Haibun Today". The editor for this issue, Melissa Allen, was great--she gave me some excellent feedback on a piece and asked me to revise and re-submit. It really pulled the piece together and was one of those rare times when I knew for sure "this is it, it is finished". I appreciate so much busy editors who take the time to help--so I thought I would plug the journal here. (My poem does not come out till March, I will post about it again then).
I am liking the haibun form and how this journal and others are "translating" the form in a way that speaks to, and registers with, folks and writing that is contemporary and Western. I think I like it for several reasons. First, I tend to "go prose" a lot with my writing and haibun combines prose with haiku poetry. Second, writing haiku forces me back from over-explaining which is one my (many) poetry weaknesses. The editor really got me to think of haiku as purely observational, not interpretive stuff, or at least no focus on interpretation. Finally, I am really intrigued with the sense of "developing" the form--read through the journal and see all the differing approaches and styles---it really generated ideas for me own writing. I plan to keep writing haibun. Thanks Melissa Allen and Haibun Today!
Haibun Today
Wednesday, December 17, 2014
What if . . .?
Homophobia ruined my
life. These words were spoken to me by another gay man who was in his late
sixties and had been a leader in the gay community. He was a retired professor
with what seemed like a good life and he was certainly well-liked and well-respected. His words shook me.
Through my own therapy and other self-reflection I am
discovering how deeply I was injured, certainly psychologically, probably
spiritually, by having grown up in a time and place that was pervasively
homophobic.
I often think “what if”—what if I had made some kind of
connection with the gay community when I was younger and had been able to come
out as an adolescent or young adult. How much less haunted by what I will
simply call “internal demons” would I be now?
I had been trying to write a poem about the UpStairs Lounge fire in New Orleans in
1973. The lounge was a gay bar in New Orleans that was destroyed in an arson's
fire on June 24, 1973. It was the deadliest fire in the city's history and the
largest mass killing of LGBT people in the United States.
New Orleans holds a special place in my heart. I moved to New Orleans in 1975 for college,
still very closeted, even in some ways even to myself, as I would remain for a
while. I never heard of the fire then, and in fact, did not know about it at
all till 4 or 5 years ago. It has received little attention. Oppression is assisted
through the concealing of history.
I had down good description of the fire and its aftermath,
but I needed something more. Then at a
writing conference this past summer I started thinking again about those words
that my friend had said to me as well as the pain of my own youth. I started
hearing in my head What if, what if I had
heard, what if I knew, what if . . . ?
And the poem fell into place. Please go the link and give it a read. (And while you are there look around the issue
of The About Place Journal, you will
be impressed by its passion for justice.)
Thursday, October 16, 2014
In Ogunquit ME for a Fall Visit and Lots of News on the Writing Front

There is no place that "takes my shoulders down" from their usual tense place like Ogunquit ME. It's taken 3/4 of the trip this time, but with 48 hours left here, I am feeling that Ogunquit magic. Darryl and I have been coming here for close to 30 years and it is a special place for us. (The town is Halloween decorated).
But on to writing news--and there is a good bit of it since I have not made an entry here since July. First, The Queer South anthology is out. See my previous post for how to get a hold of it. Two of my poems, Camp Revelation and Lord I Am Not Worthy are in this excellent anthology of fiction and poetry. The poems are both reflections on growing up in the south a few decades ago.
Talking in Late September, what might be my best poem so far, was recently published in Chelsea Station. They published it with a pretty cool line drawing that serves the poem well. I dedicate it to my close friends with whom "talking" about our lives is such a central part of the friendship. It is pretty autobiographical in sentiment if not in every exact detail. Here is the link for that poem: Talking in Late September
Finally I just got acceptance of two poems that are very close to my heart. They will be published soon, in November's issue of About Place Journal--a journal by a institute with values close to my own, The Black Earth Institute. The poems are The UpStairs Lounge and Blessed Be the Boys. I will post more on each of those poems when they come out in November. For now just a teaser--Blessed Be the Boys has a line in it that inspired part of the title for this blog.
Writing is definitely at the top of my list in terms of things keeping me sane at this time of life!
Wednesday, July 9, 2014
The excitement continues . . . I just noticed the anthology that I will have two poems in that is due to come out (so to speak) in October is now up for pre-order.
I am really gulping on this one. I saw the list authors--I can't even fathom my poems being published alongside folks like
Dorothy Allison, Shane Allison, Richard Blanco, Perry Brass, Matthew Hittinger, Darrel Alejandro Holnes, Stephen S. Mills, Cameron Mitchell, Del Shores, and L. Lamar Wilson and many other great writers!
It is up for pre-order right now.
To pre-order the anthology from SRP.
I am really gulping on this one. I saw the list authors--I can't even fathom my poems being published alongside folks like
Dorothy Allison, Shane Allison, Richard Blanco, Perry Brass, Matthew Hittinger, Darrel Alejandro Holnes, Stephen S. Mills, Cameron Mitchell, Del Shores, and L. Lamar Wilson and many other great writers!
It is up for pre-order right now.
To pre-order the anthology from SRP.
Nine of poems in Assaracus, the issue is out!
When I set out on this poetry journey thing 26 months ago it was the poetry of Bryan Borland that inspired that beginning. I found that poetry could have an emotional wallop and he was writing stuff about being gay outside of large urban communities that registered with me. It was my dream to have something published one day in the journal he started and edits--Assaracus. I was really excited and a bit overwhelmed when he accepted my poems in September. They were just published a few days ago. I am not sure how I feel--I am thrilled and a little befuddled too. The other poems in the issue are by and large very impressive and I am honored to have my poems with them. I will blog more when I figure out all my reactions more. Here are links if you are interested in the issue.
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